Beneath Hill 60 to shoot on 35mm

After much discussion we have decided to shoot the WW1 tunneling epic on film instead of the digital options, namely RED and Sony's F35. Naturally there was some impact on the budget but because of the nature of the picture with so much low-light material in tunnels and difficult conditions likely, 35mm could be relied upon to give us the best image in our circumstances.

It is actually a welcome change back to film as I haven't shot a feature on sprockets since 2004 in China on 'Waiting Alone', which feels like aeons ago. We will be using Arricams with my Cooke Lenses, and I will be doing some low-light force processing tests with 500ASA stock shortly.